HHB CDR882 DualBurn £669$1149CDR882 DualBurn £669$1149
pros High-quality converters, SRC and dithering. Comprehensive operating modes and options. Unique DiscSpan function. Upgradable firmware. cons Providing so many features makes operation slightly more complex than simpler alternatives. summary An
impressive and ingenious double CD-recorder with the unique ability to
make continuous recordings spanning multiple discs, in addition to all
the more obvious facilities associated with a dual-drive machine,
including disc copying, master and safety copy simultaneous recordings,
and dual replay. information £668.58 including VAT. Source Distribution +44 (0)20 8962 5080. $1149. Sennheiser +1 860 434 9190.
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| HHB CDR882 DualBurnDual-drive CD RecorderReviews : Recording System
Newer technologies may be available, but the CD
is still alive and kicking... and this unique stand-alone recorder is
arguably the pinnacle of CD technology. Hugh Robjohns  Photos: Mike Cameron
In many ways, audio
CD-R recorders feel like old technology these days — but HHB don't
think so, and this British company have come up with some interesting
refinements and uniquely fresh ideas for their latest bespoke disc
recorder, the CDR882 DualBurn. This new machine is aimed at a wide
range of potential markets, including educational, theatre, live sound,
houses of worship, music studios, broadcasters, duplication companies
and, yes, even the humble project studio, where its clever features and
stand-alone independence offer some very useful and practical
advantages. Overview The
882 DualBurn is, as its name suggests, a dual-transport CD
player/recorder. Both drives are capable of recording to blank CD-Rs —
and at the same time — or one drive can play back while the other is
recording. However, there's only one set of stereo inputs and outputs
and a shared set of transport controls that must be allocated to
control the relevant drive. The unit is contained in a chunky 2U
rackmounting case weighing 6.7kg and extending about 310mm behind the
rack ears. An internal universal power supply accepts 100-240V AC, so
there won't be any problems using it in a touring live sound rig. The
rear panel is well equipped with XLRs for balanced stereo analogue
audio in and out (at a nominal +4dBu — maximum input level is +24dBu
for 0dBFS), as well as RCA phono sockets for -10dBV in and out. Digital
I/O is also well catered for, with AES3 (XLRs), S/PDIF coaxial (RCA
phono) and TOSlink optical in and out. A word-clock input is also
provided on BNC (complete with a 75Ω termination on-off switch). DAT
and MiniDisc IDs, as well as CD PQ-codes embedded in the S/PDIF data
stream, are recognised and translated into track start IDs as
appropriate, and the digital inputs are routed through a sample-rate
converter that accepts sample rates from 32 to 96kHz. The analogue
inputs (and outputs) are handled with high-quality 24-bit converters,
and noise-shaped dithering is included on all inputs to optimise
signals for the 16-bit CD word-length. A PS/2 socket allows a keyboard
to be connected for CD Text data-entry, and two nine-pin D-sub sockets
allow multiple CDR882 machines to be linked via a standard RS232 serial
remote-control protocol for duplication duties. A third nine-pin D-sub
accepts parallel wired remote-control inputs. A comprehensive infra-red
handheld remote-control unit is also included, along with a couple of
blank HHB CD-Rs to get the new owner started, UK and European mains
leads, and a comprehensive, easy-to-follow handbook. The
brushed-aluminium front panel is quite busy — as you'd expect of a dual
disc burner — but the buttons are large, nicely spaced, and well
labelled. The two CD drawers fill the top half of the panel, either
side of a large backlit LCD screen, along the bottom of which is a
chunky LED stereo bar-graph meter spanning a 40dB range. The HHB logo
on the left-hand side doubles as the mains power button, and below that
is a second PS/2 keyboard socket, which is more accessible than the
rear socket if you only need to use the CD Text feature occasionally.
Two rotary controls comprise a conventional analogue input-level knob,
and a rotary encoder to set the digital input level. The latter also
has a push-switch function, which is used to set mark IDs, and it can
be used during playback to skip through a track. The transport controls
are below the display and blue LEDs indicate which drive is currently
selected (adjacent orange/green LEDs indicate the activity of each
drive). Running along the bottom of the panel at the same level as the
transport controls are further buttons to select and write auto or
manual IDs, start the Sync Record mode, activate the built-in fader
function, and control what is monitored via the headphones output. The
machine's configuration buttons are grouped to either side, and to the
left they provide access to functions including Input Select, Set-Up
Menu, Time Display, CD Text, and Input Monitor, while to the right they
provide Disc Copy, Operating Mode, Finalise, Program and Erase
functions. All fairly self-explanatory if you're familiar with HHB's
previous CD-recorders, but well explained in the handbook in case you
aren't. A quarter-inch headphone socket completes the right-hand side
of the panel, with a drive-select button and volume control. Novel Features  The
rear panel of the CDR882 hosts a number of different input and output
options for audio, synchronisation and remote control, helping to make
it a very versatile tool. The rear panel
of the CDR882 hosts a number of different input and output options for
audio, synchronisation and remote control, helping to make it a very
versatile tool.
This machine's feature set is complicated because of
HHB's attempt to make it suitable for all possible professional
applications — there's immense flexibility and configurability here —
but the menu system makes setting it up and changing modes fairly
painless and quite logical, and the basic disc-burning functions are
all completely conventional. It is the inclusion of two CD-R drives,
however, that opens up a whole world of possibilities, and HHB have
been very inventive in taking advantage of them. The most innovative
feature is called DiscSpan mode, in which long-duration recordings can
be made which span two or more discs, complete with either manual or
automatic switching, automatic fade in and out, and a user-defined
overlap duration. Track ID marks and CD-Text data are used to
automatically order, synchronise and switch seamlessly between the
recorded discs on playback (or to allow reconstruction of the original
continuous file in a DAW). I don't know of any other CD-R machine with
this capability. An alternative operating-mode
('DualBurn') allows the machine to be configured to record the same
audio simultaneously to both drives. This provides two independent
copies from the same audio input — and a 10-second RAM buffer (for all
record modes) ensures that there are no nasty surprises. It's also
possible to copy material from one disc drive to the other, of course,
with basic track editing functions if required and at one of three
optional duplication speeds (4x, 12x or flat out!). In Use In
use, the machine feels very rugged and solid, and I found it
considerably more responsive than the HHB CDR850, which I still use
regularly. This new machine only takes about 12 seconds to be ready to
play a new disc, for instance, whereas the 850 seems to take half a
day! With two drives and only one set of I/O, it's inevitable that
there will sometimes be a need to reconfigure the machine's allocation
of I/O to one drive or another — and the same for the headphone
monitoring — but this is performed very quickly, easily and logically
through the Menu screen. However, in most applications I expect the
machine could be configured to work in the most convenient way and left
in that mode quite happily. Usefully, there are facilities to allocate
output priority to either drive, or simply mix their outputs (with 6dB
attenuation, if required). Another nice feature is that the Fader
button does more than it might at first appear, functioning in playback
modes as well as in record. In record it provides a simple automatic
fade-in or -out over a user-set duration as you'd expect, but in
playback mode pressing the Fader button starts playback with a fade up,
and pressing it again fades the track out before entering pause mode —
potentially very useful in broadcast, live sound and theatre
applications. During the review period, HHB
sent me a beta firmware update in anticipation of the full v2 release
(which should be fully implemented by the time you read this).
Upgrading the machine's firmware is trivially simple, and only requires
that the update (in the form of a faux-WAV file) is copied to an audio
CD-R and loaded into the first disc drive. When the disc is scanned,
the machine recognises the update and asks the user to push the Record
button to install it. The new v2 firmware extends and enhances a
variety of features, such as enabling DiscSpan and DualBurn modes in
multi-machine installations, introduces a zero-overlap DiscSpan mode,
and allows CD-Text to be added after a DiscSpan recording. The v2
firmware also allows fully independent recording on the two drives (but
from a common input source, of course), implements adjustable output
levels, and enables auto-cue to operate when the automatic music search
(AMS) control is used to select a track when the disc is not playing.
Another very useful improvement is that the headroom margin display now
only peak-holds in record mode — which makes it far easier to adjust
and align input levels when using the Input Monitor function. In all,
v2 brings 23 updates, many of which relate to improved remote-control
functionality and track ID handling, providing provide clear evidence
of the way HHB listen and respond to user feedback, and of the inherent
flexibility of the 882's hardware design. Although
it's probably not something that will interest many people, I was
pleased to discover that this machine is able output via S/PDIF the
encoded bitstream of DTS-encoded discs in play mode (there is no
built-in decoder, so analogue outputs remain muted), and even record a
DTS bitstream via a digital input (provided the dithering function is
turned off). It can also copy DTS-encoded discs. However, unlike most
modern CD players, the 882 can't decode and play back more common non
audio-CD formats — so it won't play MP3 compilation discs, for example. Sonically,
the 882 is an impressive performer, easily matching previous generation
HHB CD-R machines (which have always been good), and bettering many
from other manufacturers. In my tests, the digital outputs were always
rock solid, with very low jitter rates, and the analogue outputs
performed very well too, with low noise, great stereo imaging and a
neutral character — in other words, exactly what any pro user wants. Summary The
CDR882 is an impressive, unusual and ingenious machine that really can
be all things to all men/women/transgender/species (delete as
appropriate). Whether you want a compact dual-playback system, a
high-quality duplicator, a long-duration recorder, a machine that makes
identical and simultaneous master and safety copy recordings, or even a
combination of all three, this is the ideal solution. While computer
DAWs and solid-state recording machines may be conspiring to make
traditional CD-R recorders look old-fashioned and clunky, in reality I
think there is still a lot of life left in the CD yet, and the CD-R is
still extremely practical, cheap and convenient — easily capable of
meeting the needs of a great many audio industries. With the clever
innovations and versatility of the CDR882, HHB are meeting those
diverse demands in an elegant way that moves the goalposts much further
down the road of obsolescence, and puts off the fateful day when the
CD-R format is discarded. This machine deserves to do very well indeed.

Published in SOS December 2008 |